&! We are all 'picture-makers', BB.
Which must always mean we find our ways !
There are times for rules and fools.
Our leaping-expanding digital-photoshopy-internet times . . .
Good luck for all of us, BD.
Which must always mean we find our ways !
There are times for rules and fools.
Our leaping-expanding digital-photoshopy-internet times . . .
Good luck for all of us, BD.
If it's fun it's fun
Your AE-1 or that one
Pleasure is something elseYour AE-1 or that one
Film digital
We get a machined pictureStill-straight or Hocus-pocus
I'm having color allergies.
If the color isn't perfectly contributing - I go B&W - look some more.
If the color isn't perfectly contributing - I go B&W - look some more.
& I have many not too tweaky choices in Lightroom5.
(It could just be senility.)-----
I read:
X used to say how he likes to let color be as awkward as it wants to be.
Maybe it comes down to intention?
-----
The color awkwards with digital can be hella unwanted.
Unless anything goes that shows.
No place for the old me TRUCKIN'...Unless anything goes that shows.
Of course. Thanks.
(re: my picture of Chris Sievey's Frank Sidebottom).
I obviously & constantly find 'stuff' in the streets.
Often the 'real' context is beyond !
No Stone Roses thanks (they're not dumb).
I'm more: www.youtube.com/watch?v=8Uee_mcxvrw
And anything Baroque (today).
(re: my picture of Chris Sievey's Frank Sidebottom).
I obviously & constantly find 'stuff' in the streets.
Often the 'real' context is beyond !
No Stone Roses thanks (they're not dumb).
I'm more: www.youtube.com/watch?v=8Uee_mcxvrw
And anything Baroque (today).
I remember Wittgenstein being reffed in the 'art' dept at Berkeley in
the mid '60s - I bobbed my non-academe head-piece and went on painting
& to know that even Bertrand Russell took much of Ludwig on 'faith' =
the guy was a 'genius' after-all ! I love geniuses . . . too. They
just don't fit my head-piece. They do seem to be hella-good for
self-serving 'quotes' . . . hope to find one asap!
And then there's my entitled touchstone grounding mascot buddy &? possible-doppelgänger "TREASURE" putz . . .
And then there's my entitled touchstone grounding mascot buddy &? possible-doppelgänger "TREASURE" putz . . .
! You-Women must get more for-Self-breaks.
FlickrGroup wise I now know about sapping. Perfection can be a dragger.
"TREASURE"
Romy Esther 75 Monet Moses (Nancy Nick laughing)
Hoping to get "TREASURE" by bill dane Open To All.
lil'billy n flickr
we spent a week together back n forthin'
day breaks came n went
they schooled me fa-sho
got my Photostream back in their groove w/o undocumented nudies
this "TREASURE" thing is another bird
nursin' it for flight
wanna make it open to all you cool nonYahoos
You might be fine cuz you're signed-in to this biggie in our skies
I gotta love it
Finally! Flickr got me straight & OPEN.
They were very nice about my short-comings.
lil'billy n flickr
we spent a week together back n forthin'
day breaks came n went
they schooled me fa-sho
got my Photostream back in their groove w/o undocumented nudies
this "TREASURE" thing is another bird
nursin' it for flight
wanna make it open to all you cool nonYahoos
You might be fine cuz you're signed-in to this biggie in our skies
I gotta love it
Finally! Flickr got me straight & OPEN.
They were very nice about my short-comings.
Every wee thing is a biggish deal for neurotic-perfectionist lil'billy
At this time in Flickr-me-hist !They're fuckin' wit me today - tomorrow sunshine possible = I should bitch = I gotta damn house n family n cats ta feed n FlickrEntertainmentCentral!
Why we are the 99% ?!
So many still believe they're temporarily embarrassed 1%ers ?!
My new Flickr Group:
"TREASURE" by bill dane
* ONLY 1 or 2 PICTURES BY EACH PERSON *
* MANY PEOPLE'S VISIONS *
* Point me to your pictures:
* Add Photos here, and/or
* Favorite my pictures @
www.flickr.com/photos/billdane/
I look. I sort. I marvel. I CHOOSE.
I plant. Weed. Add. Subtract.
Thank you all.
My pleasure, Bill.
"TREASURE" by bill dane
* ONLY 1 or 2 PICTURES BY EACH PERSON *
* MANY PEOPLE'S VISIONS *
* Point me to your pictures:
* Add Photos here, and/or
* Favorite my pictures @
www.flickr.com/photos/billdane/
I look. I sort. I marvel. I CHOOSE.
I plant. Weed. Add. Subtract.
Thank you all.
My pleasure, Bill.
You think I have time to travel your "icestation", Dr.WK ?!
I'm now handson dicktaterhead at "Simply Gallery ..." (now "TREASURE" bill dane).
At least I can bliss-croak ahhhh Stuffs will be well repped-on by your ilk.
You know - the most intriguing edgy edu poignant thing about Flickr is that it screams at me,
"Go Look Hunt Elsewhere Billyboy. Anywhere but here n there where others trip n trample."
I gotta love it to death. Thank You WK, et all !
I'm now handson dicktaterhead at "Simply Gallery ..." (now "TREASURE" bill dane).
At least I can bliss-croak ahhhh Stuffs will be well repped-on by your ilk.
You know - the most intriguing edgy edu poignant thing about Flickr is that it screams at me,
"Go Look Hunt Elsewhere Billyboy. Anywhere but here n there where others trip n trample."
I gotta love it to death. Thank You WK, et all !
How can I help myself ?!:
Bill Dane: The Photographic Postcard As a Conceptual Art Work
William Williams - Haverford College - Pennsylvania
Thomas Garver Haverford College class of 1956 was contacted last June to solicit ideas as to how to structure an exhibition to acknowledge his support of the photography collection at Haverford over two decades. He replied that his gift should be thought of as an “Accidental Collection” because that is what it is. The hundreds of prints and related material that he has given signify that it is more than that. O. Winston Link, Charles Currier, vernacular photography and Bill Dane’s real photographic post card correspondence stand out because of their sheer numbers and affinity with each other. Graver wrote of Dane’s postcard photographs:
One might imagine Dane as one photographer among many in a crowd, waiting for the momentary appearance of a "great personality," The figure appears--all cameras fire in unison--except Dane's, His reflexes appear to be curiously skewed. While all the other Photographers get the standard "shot," Dane gets the special, perhaps awkward, but very personal photograph, the photograph that turns our "personality" bock into a person.
Dane’s Photographic post card correspondence to Garver is a succinct summing up of this esthetic and the state of photography in the middle of the 20th century. The twenty-four post cards on exhibition are at once a meditation on the meaning of photographs, the technology of image transmission and a record of a correspondence between friends. The cards are displayed so that both sides can be seen. This allows the image and text to be experienced as Dane made them. Tom’s description of his gift as “Accidents” is instructive and a rewarding way to look at and to appreciate the originality of Bill Dane’s work.